Tag: grand theatre lancaster

  • Lancaster Grand Theatre: A Brief History

    Lancaster Grand Theatre: A Brief History

    As Christmas comes ever close and the Theatre becomes a hive of activity once again with not one, not two, but THREE pantomimes (Footlights, Schools’, and Adult), I thought I’d take a look at the historic venue that they will be taking place in. Having “trod the boards” in this historic theatre, I can say that it is a wonderful place to perform, and I can’t wait to get the chance to do so again.

    Lancaster Grand Theatre is a Grade II listed building built in 1782, and has been a mainstay of Lancaster’s cultural scene since then. Originally just called “The Theatre” and part of the Northern Circuit of theatres, where touring groups and players would make the rounds with their shows. The Grand is now the only surviving venue in it’s original state. The Grand Theatre is the third oldest working theatre in Britain, and it has been in near continuous use since it was built, apart from the odd year here and there when it has been dark. Pretty good going for a theatre approaching it’s venerable 250th birthday!

    In the first summer it opened, the theatre put on Hamlet, with Lady Macbeth being played by Sarah Siddons, a relation of one of the men who opened the theatre. Other performers included Ira Aldridge, who was the first Black British actor to appear on a UK stage.

    There is a pervasive theatre myth that the ghost of Sarah Siddons haunts the venue. I mean, what would a theatre be without a good ghost story and a residential spirit? As someone who has spent quite a bit of time there, I have yet to meet her, although if I do, I do hope she’s friendly. After all, this was a place she loved to be! Hopefully she would appreciate everything the volunteers and players do to keep The Grand going and vibrant.

    Ira Aldridge (1807?-1867) in the character of Othello

    Theatre performances at the theatre declined through the 1830s and 1840s, but it was reopened in 1849 as a music hall with a focus on classical music, as well as having a space for a museum for the Natural History Society, and was increasingly used for lectures. Charles Dickens appeared twice in 1860s, reading from A Christmas Carol and The Pickwick Papers.

    In 1897 the theatre was modified, including a new stage, by architect Frank Matcham, but the work of this architect was lost in 1908 when the building was badly damaged by fire. It reopened the same year, after significant restoration, as The Grand Theatre. In it’s currently form it seats 457 over two levels and is owned by Lancaster Footlights, an amateur dramatic group, who have been performing since the 1920s, but bought the theatre in 1951 for £7,000 to save it from demolition in the remodelling of the Canal Quarter in the city. This “remodelling” involved mass demolition of streets of old housing, in order to rebuild for “healthier,” more spaced out, housing.

    Tours of the theatre that explore it’s history, both older and more recent, are available throughout the year, hosted by extremely knowledgeable volunteer tour guides. Check out Lancaster Grand’s website for more information of when you can visit and take a tour.

    There is also very exciting things planned for the theatre’s future, and a major fundraising operation is ongoing to raise money for an extension to make a new foyer, and to make the building more accessible for all.

    If you liked this article and would like to receive more updates, please sign up for free below to get weekly updates on fabulous things to do around the North!

  • Lancaster Grand Theatre: A Brief History

    Lancaster Grand Theatre: A Brief History

    Lancaster Grand Theatre is a Grade II listed building built in 1782, and has been a mainstay of Lancaster’s cultural scene since then. Originally just called “The Theatre” and part of the Northern Circuit of theatres, where touring groups and players would make the rounds with their shows. The Grand is now the only surviving venue in it’s original state. The Grand Theatre is the third oldest working theatre in Britain, and it has been in near continuous use since it was built, apart from the odd year here and there when it has been dark. Pretty good going for a theatre approaching it’s venerable 250th birthday!

    In the first summer it opened, the theatre put on Hamlet, with Lady Macbeth being played by Sarah Siddons, a relation of one of the men who opened the theatre. Other performers included Ira Aldridge, who was the first Black British actor to appear on a UK stage.

    There is a pervasive theatre myth that the ghost of Sarah Siddons haunts the venue. I mean, what would a theatre be without a good ghost story and a residential spirit? As someone who has spent quite a bit of time there, I have yet to meet her, although if I do, I do hope she’s friendly. After all, this was a place she loved to be! Hopefully she would appreciate everything the volunteers and players do to keep The Grand going and vibrant.

    Ira Aldridge (1807?-1867) in the character of Othello

    Theatre performances at the theatre declined through the 1830s and 1840s, but it was reopened in 1849 as a music hall with a focus on classical music, as well as having a space for a museum for the Natural History Society, and was increasingly used for lectures. Charles Dickens appeared twice in 1860s, reading from A Christmas Carol and The Pickwick Papers.

    In 1897 the theatre was modified, including a new stage, by architect Frank Matcham, but the work of this architect was lost in 1908 when the building was badly damaged by fire. It reopened the same year, after significant restoration, as The Grand Theatre. In it’s currently form it seats 457 over two levels and is owned by Lancaster Footlights, an amateur dramatic group, who have been performing since the 1920s, but bought the theatre in 1951 for £7,000 to save it from demolition in the remodelling of the Canal Quarter in the city. This “remodelling” involved mass demolition of streets of old housing, in order to rebuild for “healthier,” more spaced out, housing.

    Tours of the theatre that explore it’s history, both older and more recent, are available throughout the year, hosted by extremely knowledgeable volunteer tour guides. Check out Lancaster Grand’s website for more information of when you can visit and take a tour.

    There is also very exciting things planned for the theatre’s future, and a major fundraising operation is ongoing to raise money for an extension to make a new foyer, and to make the building more accessible for all.

    If you liked this article and would like to receive more updates, please subscribe for free below to get weekly updates on fabulous things to do around the North!

  • Lancaster Footlights Presents: Bad Girls by Jacqueline Wilson

    Lancaster Footlights Presents: Bad Girls by Jacqueline Wilson

    The summer production from Lancaster Footlights at Lancaster Grand is Bad Girls, a novel by Jacqueline Wilson and adapted for the stage by Vicky Ireland.

    Bad Girls tells the story of Mandy, a schoolgirl who is being bullied by her classmates because of her “uncool” glasses and hairstyle. Mandy resents her mum, who won’t let her change these things. After being withdrawn from school, Mandy meets Tanya an older girl who shows her how to live a little, but Mandy’s mum thinks she’s a “bad girl”…

    Head to Lancaster Grand 13th – 21st to find out what happens next! Follow this link for tickets or go via the Box Office on 01524 64695 (Monday–Saturday, 10am–3pm).

    Ahead of the production Dress Rehearsals, I sat down with director Laura Creed to chat about the process of directing, and what it’s been like bringing Bad Girls to the stage…

    What made you want to switch from acting to giving directing a go?
    “It wasn’t a planned decision. During rehearsals for another Footlights production that I was acting in, the director (who is on the Production Board at The Grand) asked if I would like to direct the 2025 summer show. They thought I would be a good fit as I had already run several successful drama workshops for children at the theatre. I instantly said yes, as it was something I had wanted to do for a while, but hadn’t had the confidence to put my name forward. Seeing that the committee at The Grand had faith in me, it gave me the push to go for it.”

    “Watching the cast grow has been one of the most amazing things…”

    Laura Creed, Director

    Why did you choose ‘Bad Girls’ for your directorial debut?
    “The committee suggested Bad Girls, and I was on board straight away, as I had been a massive Jacqueline Wilson fan growing up. I was really excited about the idea of directing one of her stories, and bringing it to life for a new generation.”

    Rehearsals for Bad Girls
    Photo courtesy of Lancaster Grand Website.

    How have you found the experience so far?
    “I’ve loved every second of it. At the beginning I was a bundle of nerves, and very frantic – especially about the audition process – as I wasn’t sure how to run a rehearsal, or how to get a play from the page to the stage. Everything was completely new to me. But as time’s gone on, the process has become a lot easier, and it certainly helps being surrounded by such a great group of people.”

    What’s been the best thing about directing?
    “I think watching the cast grow has been one of the most amazing things. When you see an actor become more confident in their role and start adding their own nuances to it… it’s great! I loved working with and collaborating with all these different people who work in different ways. It’s just all been so much fun.”

    On stage rehearsals
    Photo courtesy of Lancaster Footlights.

    What has been the most challenging aspect?
    “I didn’t realise how much problem solving was involved when directing! For example, there are a lot of quick scene changes within the show, so figuring out how to stage them has been difficult. There has been a lot of liaising with our incredible backstage team to work out what’s possible and what’s not, and how to bring the scenes to life in the most authentic and seamless way possible.”

    Any spoilers you can give about what audiences can expect from the play?
    “The play has a mixture of really fun stylised imagination sequences, but at the same time it doesn’t shy away from the darker side and realities that some children face as they grow up. Mostly, however, it’s about friendship, and people bringing out the best in each other through it.”

    Bad Girls is being presented by Footlights at Lancaster Grand in arrangement with Nick Hearn Books. There are six performances to choose from between 13th – 21st of June.

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